After the artist was in Lützerath during the eviction, the resulting installation embodies an intimate processing of experiences, both personal and collective. Ready-mades such as a sleeping bag, straw, and a notebook—all used in the former village—are imbued with the palpable textures and traces of the rural landscape. The piece captures the haunting sounds and scents of the area, blending the mechanical churn of the coal excavator with the invasive hum of police drones. In the centerpiece, a video installation housed in a small tent—constructed from materials sourced directly from the protest site—an analog film captures the personal life activists of the now-vanished village. Laser-etched words, personal and raw, are superimposed onto the footage, creating an eerie, spectral dialogue between the past and the present. This juxtaposition of documentary realism and emotional intimacy forges connections between rural conflicts, generational struggles, and the eroding life of the land. The work resonates deeply with the sense of loss, resistance, and the fragile beauty of contested rural spaces, while reflecting on the profound human and environmental impacts of these ongoing clashes.